This is the windshield turned into a cinema lens. Golden hour through the glass. Headlights cutting through rain at midnight. The front camera shoots the road the way you would shoot it, if you could be strapped to the hood.
Sony STARVIS 2, 2K, 210 degree fisheye, HDR. One shot, the entire cabin. Every passenger, every glance, the coffee on the dash, the song everyone in the car knows the words to. You do not need a second rig inside the car. You already have one.
Sony STARVIS 2, 2K, 160-degree field of view, HDR. What is behind you is part of the story too. A follow shot without a follow car. The road you already left, still rolling in frame.
Transfer footage instantly for faster editing and easy sharing.
Capture every angle in sharp, detailed 4K and 2K clarity.
Record the full cabin and side windows in one wide frame.
Preserve clear detail across bright sunlight and deep shadows.
Capture cleaner, sharper footage in daylight and after dark.
Preview, download, and manage every clip directly from your phone.
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Stories from the road for hire Uber, Lyft, taxi, and ride-hailing drivers. Capture the passengers, city rhythms, and moments that make every shift unique.
Find the stories hidden in school runs, errands, commutes, and family chaos, the candid moments that make an ordinary drive unforgettable.
Capture the freedom of road trips, van life, and RV travel, the discoveries and unexpected moments found between destinations.
Every submission has to hit three specific beats. Not because we like checklists. Because these three moments are what this contest is actually about, and a video missing one of them is a video that missed the point. The Moments should be captured by the dashcam.
This is what a submission is. Four requirements and one rule, no exceptions.
Long enough to earn the ending, short enough that nobody looks away.
Submit a vertical version and a horizontal version. Same story, cut for Instagram and YouTube.
4K resolution is required. Your camera and the A329S both shoot it — make sure your submission is well graded.
At least 30 percent of your final video has to be VIOFO A329S dashcam footage. Not a cutaway. Not a single reaction shot to check a box. A real third of the story has to come from the windshield, the cabin, or the rear lens.
Open to videographers based in the USA, CANADA, EU, Australia or New Zealand. You must be 18 years old or older to apply. One application per person.
01
Cinematic quality of the fixed windshield view
30 pts
Does the footage make the world look alive? The dashcam sees what a handheld camera never can, the pure, unbroken view through the windshield. This dimension rewards videographers who understand that constraint and turn it into a strength. Light, motion, weather, and geography all count.
REWARDED
A clear windshield view where light, motion, weather, and geography all count.
SCORES LOW
Muddy, poorly lit footage that feels accidental, regardless of what happened in frame.
02
The VIOFO A329S as a lead character, not a prop
25 pts
Does this video make someone want to own a VIOFO? The A329S is not a prop or a logo placement; it is a lead character. The best entries show what the camera does, three-channel recording, the wide cabin view, and night performance, as part of the story, not a spec-sheet moment.
REWARDED
The A329S is visible, useful, and impossible to mistake for any other camera.
SCORES LOW
The camera barely appears, or could be swapped for any dashcam without changing the story.
03
Mood, atmosphere, and the three mandatory moments
20 pts
Does the video feel like something, and does it hit all three notes? The Fun Dashcam Moment, the Heartfelt Moment, and the Driver Code Moment give the story its full range. Commercial and punchy wins here; slow, contemplative footage settles at the bottom, even when it is beautifully shot.
REWARDED
All three mandatory moments are present, with a commercial pulse and emotional range.
SCORES LOW
If any one moment is missing, this dimension caps at 13 points.
04
Edit, flow, and road rhythm
15 pts
Does the edit know where it is going? Dashcam footage is raw by nature. This dimension rewards momentum, pacing that builds, music that lifts instead of fights the footage, and cuts that serve the story. Intersections, overtakes, open highway, unexpected stops, the best edits move with the road. It's a commercial after all! it should be happy and human.
REWARDED
The edit creates momentum and moves with the road’s natural rhythm.
SCORES LOW
Cuts exist without purpose, or the music and pacing fight the footage.
05
Emotional impact and storytelling that lasts
10 pts
Will someone remember this video tomorrow? Every mile has a reason. This dimension asks whether the video says something true about why people drive, and whether it leaves something behind. It does not need to be big, a trucker’s quiet pride or a parent’s road-trip chaos can become the memory nobody planned to keep.
REWARDED
Emotional truth gives the journey a reason to stay with the viewer.
SCORES LOW
The footage is polished, but leaves no feeling or story behind.
Use these images as inspiration for the mood, movement, and everyday moments your ad could capture. Take the feeling, not the frame.
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Shoot the making of your own entry. The gear going in, the takes that failed, the moment it clicked. Social media driven storytelling style not a highlight reel, pure marketing boost for your work with OHHH Let's spread that creativty and tell the world who we are (OHHH and YOU). Using a simple language that the public consume daily. This you unlocking your followers to help you push this video! The results of this one decided by you. Not OHHH not VIOFO. It's a numbers game! Play around it'll work.
Funny
Make people laugh! enjoy your shoot, and show us your playful personality.
Exciting
The journey to the shoot/shot, production, and post.
The Build-up
How the project has been building up.
IG REELS 9:16
60–120S
COLLAB POST
$1,000
Paid by OHHH · Posted before the main winners are announced
Submit your profile, pick your category, and tell us why you're the creator for this.
Selected creators receive their A329S and get set up to start filming
Post your making-of content and tag us so we can find it.
Upload your main submission and send us the link.
Our judging panel reviews every entry and announces the winners
You already have a camera and a story you want to tell. We are just adding one more angle to it.
Limited slots · 30 finalists
